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Printed books and journals on Ideological Criticism
Ideology by
The definition of ideology continues to occupy scholars across a wide range of disciplines. In this book, Teun A van Dijk sketches a challenging new multidisciplinary framework for theorizing ideology. He defines ideology as the basis of the social representations of a group, its functions in terms of social relations between groups, and its reproduction as enacted by discourse. Contemporary racist discourse is examined to illustrate these ideological relations between cognition, society and discourse.
Communicating Racism by
How does everyday talk contribute to the spread and acceptance of ethnic prejudice? Communicating Racism is a revealing interdisciplinary study of ethnic prejudices and the ways in which they are diffused through interpersonal communication and intergroup interaction. In this clearly written and comprehensive study, van Dijk establishes a crucial link between the cognitive, social and communicative dimensions of racism. He examines: the social psychology of ethnic attitudes; the cognitive psychology of ethnic prejudice; and the social context of prejudice; the interpersonal communication of racism. By analysing informal discourse and the reproduction of racism within the white majority, the author offers us a new understanding of many deep-rooted and poorly understood patterns of prejudice.
The German Ideology / Part One by 
Aesthetic Theory by 
Marxism and Literary Criticism by
Marxist literary criticism is becoming increasingly important in Europe as a whole, and interest in the subject is rapidly growing in this country. In this book, Dr. Eagleton analyses the major issues that the subject presents, discussing the writing of Marx and Engels themselves and the work of such critics as Plekhanov, Trotsky, Lenin, Lukacs, Goldmann, Caudwell, Benjamin and Brecht. They are seen from four viewpoints central to Marxist thought: the relation of literature to history, the problem of 'form' and 'content' in literature, the question of literature and political commitment, and the importance of production and technology in art. Dr. Eagleton's exploration of these critical stances throws useful light on the connection between the Marxist approach and structuralism. The author stresses, however, that Marxist criticism cannot be seen simply in academic terms. In his preface he rejects the illusion of 'neutrality' in such a field, and writes: 'Marxist criticism is part of a larger body of theoretical analysis which aims to understand ideologies--the ideas, values and feelings by which men experience their societies at various times. And certain of those ideas, values and feelings are available to us only in literature. To understand ideologies is to understand both the past and the present more deeply, and such understanding contributes to our liberation.' Dr. Eagleton shows the part that Marxist criticism has to play in defining the crucial link between literature and historical conditions, and in so doing has produced a book that is both constructive and committed.
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